{"product_id":"twenty-first-century-gothic-an-edinburgh-companion-paperback-1","title":"Twenty-First-Century Gothic: An Edinburgh Companion - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMaisha Wester\u003c\/b\u003e (Editor), \u003cb\u003eXavier Aldana Reyes\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA transnational and transmedia companion to the post-millennial Gothic\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eCovers key areas and themes of the post-millennial Gothic as well as developments in the field and revisions of the Gothic tradition\u003c\/li\u003e \u003cli\u003eConsitutes the first thematic compendium to this area with a transmedia (literature, film and television) and transnational approach\u003c\/li\u003e \u003cli\u003e \u003cp\u003eCovers a plurality of texts, from novels such as Stephenie Meyer's \u003ci\u003eTwilight\u003c\/i\u003e (2005), Helen Oyeyemi's \u003ci\u003eWhite Is for Witching\u003c\/i\u003e (2009), Justin Cronin's \u003ci\u003eThe Passage\u003c\/i\u003e (2010) and M.R. Carey's \u003ci\u003eThe Girl with All the Gifts\u003c\/i\u003e (2014), to films such as \u003ci\u003eKairo\u003c\/i\u003e (2001), \u003ci\u003eJuan of the Dead \u003c\/i\u003e(2012) and \u003ci\u003eThe Darkside \u003c\/i\u003e(2013), to series such as \u003ci\u003eDante's Cove \u003c\/i\u003e(2005-7), \u003ci\u003eHemlock Grove \u003c\/i\u003e(2013-15), \u003ci\u003ePenny Dreadful \u003c\/i\u003e(2014-16)\u003ci\u003e Black Mirror\u003c\/i\u003e (2011-) and even the Slenderman mythos.\u003c\/p\u003e\n\u003c\/li\u003e \u003cp\u003e\u003c\/p\u003e\n\u003c\/ul\u003e \u003cp\u003eThis resource in contemporary Gothic literature, film and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century. The 20 newly commissioned chapters cover emerging and expanding research areas, such as digital technologies, queer identity, the New Weird and postfeminism. They also discuss contemporary Gothic monsters - including zombies, vampires and werewolves - and highlight Ethnogothic forms such as Asian and Black Diasporic Gothic.\u003c\/p\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003eThe first transnational and transmedia companion to the post-millennial Gothic This resource in contemporary Gothic literature, film and television takes a thematic approach, providing insights into the many forms the Gothic has taken in the twenty-first century. The 20 newly commissioned chapters cover emerging and expanding research areas, such as digital technologies, queer identity, the New Weird and postfeminism. They also discuss contemporary Gothic monsters - including zombies, vampires and werewolves - and highlight Ethnogothic forms such as Asian and Black Diasporic Gothic. Maisha Wester is Associate Professor in American Studies at Indiana University, Bloomington. Xavier Aldana Reyes is Senior Lecturer in English Literature and Film at Manchester Metropolitan University.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMaisha Wester is Associate Professor in the Department of American Studies and Department of African American and African Diaspora Studies at Indiana University. She is the author of \u003ci\u003eAfrican American Gothic: Screams from Shadowed Places\u003c\/i\u003e (Palgrave, 2012) and is currently writing a monograph on \u003ci\u003eVoodoo Queens and Zombie Lords: Haiti in American Horror Culture\u003c\/i\u003e (forthcoming, University of Virginia Press). \u003c\/p\u003e\u003cp\u003eXavier Aldana Reyes is Reader in English Literature and Film at Manchester Metropolitan University. He is the author of \u003ci\u003eSpanish Gothic: National Identity, Collaboration and Cultural Adaptation\u003c\/i\u003e (Palgrave Macmillan, 2017), \u003ci\u003eHorror Film and Affect: Towards a Corporeal Model of Viewership\u003c\/i\u003e (Routledge, 2016) and \u003ci\u003eBody Gothic: Corporeal Transgression in Contemporary Literature and Horror Film\u003c\/i\u003e (University of Wales Press, 2014). He is also the editor of \u003ci\u003eHorror: A Literary History\u003c\/i\u003e (British Library Publications, 2016) and \u003ci\u003eDigital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon\u003c\/i\u003e, co-edited with Dr Linnie Blake (I.B. Tauris, 2015).\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 336\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 26, 2021\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52703630360883,"sku":"9781474440936","price":75.31,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/SWQzTCs5dUwyR01yZ2RNL0FJQkNaUT09_25d431c2-0ff1-4202-a1f2-00d97cd73a12.webp?v=1763334070","url":"https:\/\/www.vysn.com\/products\/twenty-first-century-gothic-an-edinburgh-companion-paperback-1","provider":"VYSN","version":"1.0","type":"link"}