So Much Wasted: Hunger, Performance, and the Morbidity of Resistance - Paperback

by Patrick Anderson (Author)

In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramovic, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined.

Back Jacket

Patrick Anderson has written a wonderful book, one that will have a real impact on the field of performance studies. The topic that he has chosen is important and timely: the forced feeding of prisoners on a hunger strike at Guantanamo, the anorexia epidemic among young women (and now men), and the removal of Terri Schiavo's feeding tube are only some of the most recent and urgent questions that have surfaced around the practice and politics of starvation and who, ultimately, has the power over the individual body.--Diana Taylor, author of "The Archive and the Repertoire: Performing Cultural Memory in the Americas"

Author Biography

Patrick Anderson is Associate Professor of Communication and a faculty affiliate of Critical Gender Studies and Ethnic Studies at the University of California, San Diego. He is a co-editor of Violence Performed: Local Roots and Global Routes of Conflict.