{"product_id":"german-crime-dramas-from-network-television-to-netflix-paperback","title":"German Crime Dramas from Network Television to Netflix - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eSunka Simon\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eGerman Crime Dramas from Network Television to Netflix\u003c\/i\u003eapproaches German television crime dramas to uncover the intersections between the genre's media-specific network and post-network formats and how these negotiate with and contribute to concepts of the regional, national, and global. \u003cbr\u003e\u003cbr\u003ePart I concentrates on the ARD network's long-running flagship series \u003ci\u003eTatort\u003c\/i\u003e (\u003ci\u003eCrime Scene\u003c\/i\u003e 1970-). Because the domestically produced crime drama succeeded in interacting with and competing against dominant U.S. formats during 3 different mediascapes, it offers strategic lessons for post-network television. Situating 9 \u003ci\u003eTatort\u003c\/i\u003e episodes in their televisual moment within the Sunday evening flow over 38 years and 3 different German regions reveals how producers, writers, directors, critics, and audiences interacted not only with the cultural socio-political context, but also responded to the challenges aesthetically, narratively, and media-reflexively. \u003cbr\u003e\u003cbr\u003ePart II explores how post-2017 German crime dramas (\u003ci\u003eBabylon Berlin, Dark, Perfume, \u003c\/i\u003eand\u003ci\u003e Dogs of Berlin\u003c\/i\u003e) rework the genre's formal and narrative conventions for global circulation on Netflix. Each chapter concentrates on the dynamic interplay between time-shifted viewing, transmedia storytelling, genre hybridity, and how these interact with projections of cultural specificity and continue or depart from established network practices. The results offer crucial information and inspiration for producers and executives, for creative teams, program directors, and television scholars.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eSunka Simon received her PhD from Johns Hopkins, University, USA. She is Professor of German, Film and Media Studies at Swarthmore College, USA. Simon is the author of \u003ci\u003eMail-Orders. The Fiction of Letters in Postmodern Culture\u003c\/i\u003e (2002) and co-author of \u003ci\u003eGlobally Networked Teaching in the Humanities\u003c\/i\u003e (2015). Her articles and courses focus on German, European, and U.S. popular culture, specifically television, cinema, and popular music.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 360\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.74 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 25, 2024\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52711336050995,"sku":"9781501370496","price":80.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/IcFGRStZw_9781501370496.webp?v=1763513947","url":"https:\/\/www.vysn.com\/products\/german-crime-dramas-from-network-television-to-netflix-paperback","provider":"VYSN","version":"1.0","type":"link"}