{"product_id":"film-theory-an-introduction-paperback-1","title":"Film Theory: An Introduction - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRobert Stam\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eProviding a collection of some of the most provocative and influential writings of film theory in the past thirty years, this anthology aims to provide a polylogue among theorists, deprovincializing the subject. \u003ci\u003eFilm Theory\u003c\/i\u003e multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eThis book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. \u003c\/p\u003e\u003cp\u003e Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eRobert Stam\u003c\/b\u003e is Professor in the Cinema Studies Department at New York University. His many books include \u003ci\u003eFilm Theory: An Introduction\u003c\/i\u003e (Blackwell Publishers, 1999), \u003ci\u003eTropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture\u003c\/i\u003e (1997), \u003ci\u003eUnthinking Eurocentrism: Multiculturalism and the Media\u003c\/i\u003e with Ella Shohat (1994), which won the Katherine Singer Kovocs 'Best Film Book Award'; and \u003ci\u003eSubversive Pleasures: Bakhtin, Cultural Criticism, and Film\u003c\/i\u003e (1992).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 400\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.86 x 9.05 x 6.02 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 21, 2000\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52710188810547,"sku":"9780631206545","price":125.71,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/YW5BZGJpSDYwclpnVjFOVk1CYlg3QT09_1a19d90d-4610-4960-8950-5dc01c630f0c.webp?v=1763485275","url":"https:\/\/www.vysn.com\/products\/film-theory-an-introduction-paperback-1","provider":"VYSN","version":"1.0","type":"link"}