{"product_id":"sound-commitments-avant-garde-music-and-the-sixties-paperback","title":"Sound Commitments: Avant-Garde Music and the Sixties - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRobert Adlington\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003eThe role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, \u003cem\u003eSound Commitments\u003c\/em\u003e, examines the encounter of avant-garde music and \"the Sixties\" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, \u003cbr\u003eparticipatory \"events,\" performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the \"Third World,\" delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eFeaturing new archival research and\/or interviews with significant figures of the period in each chapter, \u003cem\u003eSound Commitments\u003c\/em\u003e will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.\u003cbr\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRobert Adlington\u003c\/strong\u003e is Senior Lecturer in Music at the University of Nottingham. He has written extensively on contemporary classical music, including monographs on Harrison Birtwistle (Cambridge University Press, 2000) and Louis Andriessen (Ashgate, 2004). His current research explores music and politics in Amsterdam between 1966 and 1973, and has resulted in book chapters and articles in \u003cem\u003eJournal of Musicology\u003c\/em\u003e and \u003cem\u003eCambridge Opera Journal.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 304\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.8 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 19, 2009\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":53099893063987,"sku":"9780195336658","price":95.92,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/ZlZxaDlPQkZZcE40Ry82K0xBL0psdz09.webp?v=1772481348","url":"https:\/\/www.vysn.com\/en-ca\/products\/sound-commitments-avant-garde-music-and-the-sixties-paperback","provider":"VYSN","version":"1.0","type":"link"}