{"product_id":"refocus-the-films-of-xavier-dolan-paperback","title":"Refocus: The Films of Xavier Dolan - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAndrée LaFontaine\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eEver since his first feature film \u003cem\u003eI Killed My Mother\u003c\/em\u003e premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with \u003cem\u003eThe Death and Life of John F. Donovan\u003c\/em\u003e. \u003c\/p\u003e \u003cp\u003eAs the first book-length study about Dolan, with case studies of key films like \u003cem\u003eMommy\u003c\/em\u003e (2014), \u003cem\u003eTom at the Farm\u003c\/em\u003e (2013) and \u003cem\u003eIt's Only the End of the World\u003c\/em\u003e (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eEver since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan. As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking. Andrée Lafontaine is Assistant Professor of Anglophone Literature and Culture at the University of Tsukuba (Japan).\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAndrée Lafontaine is Assistant Professor of Anglophone Literature and Culture at the University of Tsukuba (Japan). She received a PhD in Film and Moving Image Studies from Concordia University (Montréal, Québec). She was Managing Editor of Synoptique--An Online Journal of Film and Moving Image Studies, and has published in the International Journal of Applied Psychoanalytic Studies and the Canadian Journal of Film Studies.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.54 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 26, 2021\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52710809338163,"sku":"9781474444583","price":58.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/UWIxSWp5ZHJZMHk4M3pERVJmWkdBdz09.webp?v=1763499747","url":"https:\/\/www.vysn.com\/en-ca\/products\/refocus-the-films-of-xavier-dolan-paperback","provider":"VYSN","version":"1.0","type":"link"}