{"product_id":"non-cinema-global-digital-film-making-and-the-multitude-paperback","title":"Non-Cinema: Global Digital Film-Making and the Multitude - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eWilliam Brown\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNon-Cinema: Global Digital Film-making and the Multitude \u003c\/i\u003eprovides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema, ' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence \"non-cinema.\" \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eAnalysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. \u003ci\u003eNon-Cinema\u003c\/i\u003e constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eWilliam Brown\u003c\/b\u003e is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of \u003ci\u003eSupercinema: Film-Philosophy for the Digital Age \u003c\/i\u003e(2013), \u003ci\u003eMoving People, Moving Images: Cinema and Trafficking in the New Europe\u003c\/i\u003e (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of \u003ci\u003eDeleuze and Film \u003c\/i\u003e(2012).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 312\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.65 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 23, 2020\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52438228435251,"sku":"9781501361654","price":91.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/cDhTc2hzUmNsM001TW12bGxJNXNSQT09.webp?v=1758837282","url":"https:\/\/www.vysn.com\/en-ca\/products\/non-cinema-global-digital-film-making-and-the-multitude-paperback","provider":"VYSN","version":"1.0","type":"link"}