{"product_id":"hideous-progeny-disability-eugenics-and-classic-horror-cinema-paperback-1","title":"Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAngela Smith\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTwisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eReading such films as \u003ci\u003eDracula\u003c\/i\u003e (1931), \u003ci\u003eFrankenstein\u003c\/i\u003e (1931), \u003ci\u003eDr. Jekyll and Mr. Hyde\u003c\/i\u003e (1931), \u003ci\u003eFreaks\u003c\/i\u003e (1932), and \u003ci\u003eMad Love\u003c\/i\u003e (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eAngela M. Smith is assistant professor of English and gender studies at the University of Utah. Her essays have appeared in Post Script and College Literature as well as in the anthologies \u003ci\u003eHorror Zone: The Cultural Experience of Contemporary Horror Cinema \u003c\/i\u003eand \u003ci\u003ePopular Eugenics: National Efficiency and American Mass Culture in the Thirties\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 368\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 8.9 x 5.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 24, 2012\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52710061900083,"sku":"9780231157179","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/bWhnZGN2S1grV1RqcWZ1KzNtZ0UwUT09_51c1a249-4b73-4cbb-b6f9-b311011df312.webp?v=1763481441","url":"https:\/\/www.vysn.com\/en-ca\/products\/hideous-progeny-disability-eugenics-and-classic-horror-cinema-paperback-1","provider":"VYSN","version":"1.0","type":"link"}