{"product_id":"fringe-to-famous-cultural-production-in-australia-after-the-creative-industries-paperback","title":"Fringe to Famous: Cultural Production in Australia After the Creative Industries - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eTony Moore\u003c\/b\u003e (Author), \u003cb\u003eMark Gibson\u003c\/b\u003e (Author), \u003cb\u003eChris McAuliffe\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\u003cb\u003eFringe to Famous\u003c\/b\u003e\u003c\/i\u003e\u003cb\u003eexamines exchange between small scenes of cultural production and mainstream institutions and markets.\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003e\u003c\/b\u003eDrawing on Australian examples in music, streetwear, comedy, screen and digital games, it argues that there has been much greater crossover between the two than is generally recognized.\u003cbr\u003e \u003cbr\u003eThe book resists a tendency to represent fringe and mainstream as abstract opposites, bringing a focus instead to concrete historical formations. It offers an alternative both to romantic celebrations of a 'pure' fringe - discredited now by half a century of critical responses to the counterculture - and to an increasingly hardened anti-romantic reaction.\u003cbr\u003e \u003cbr\u003eDrawing on extensive original interviews, \u003ci\u003eFringe to Famous\u003c\/i\u003e offers an overview of transformations in Australian culture since the 1980s, concluding with suggestions for cultural policy 'after the creative industries'. It proposes an idea of 'generative hybridity' between fringe and mainstream that allows us to imagine new possibilities for arts and culture in the 2020s and beyond.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTony Moore\u003c\/b\u003e is Professor in Communications and Media Studies at Monash University, Australia, with interests in the interplay between creative and political countercultures and mainstream society. He is author of three books and leads the Australian Research Council Projects Conviction Politics: The Convict Routes of Australian Democracy and Comedy Country: Australian Performance Comedy as an Agent of Change. Tony has also worked as a documentary maker at the Australian Broadcasting Corporation and commissioning editor at Pluto and Cambridge University Press. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eMark Gibson\u003c\/b\u003e is Professor of Media and Associate Dean, Media, Writing and Publishing at RMIT University, Australia. He was previously head of Communications and Media Studies at Monash University, and has also worked in media and cultural studies at Murdoch University and Central Queensland University, Australia. He has research interests in cultural industries and the intellectual legacy of countercultural movements of the 1960s and 1970s. He is author of \u003ci\u003eCulture and Power: A History of Cultural Studies\u003c\/i\u003e (2007). \u003cp\u003e\u003c\/p\u003e\u003cb\u003eChris McAuliffe\u003c\/b\u003e is Emeritus Professor, School of Art and Design, Australian National University. He was previously head of the Centre for Art History and Art Theory and Sir William Dobell Professor at Australian National University. From 2000-2013 he was Director of the Ian Potter Museum of Art, the University of Melbourne. He taught art history at the University of Melbourne and was Visiting Professor of Australian Studies at Harvard University (2011-12), USA. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eMaura Edmond\u003c\/b\u003e is a Senior Lecturer in the School of Media, Film and Journalism at Monash University, Australia. She researches the contemporary media, arts and cultural industries, with a focus on digital transformation, policy and gender. Her work has been published in \u003ci\u003eEuropean Journal of Cultural Studies\u003c\/i\u003e, \u003ci\u003eNew Media and Society\u003c\/i\u003e, \u003ci\u003eTelevision and New Media\u003c\/i\u003e, \u003ci\u003eThe\u003c\/i\u003e \u003ci\u003eBloomsbury Handbook of Popular Music Policy\u003c\/i\u003e (2021) and \u003ci\u003eToward Gender Equality in the Music Industry\u003c\/i\u003e (Bloomsbury, 2019).\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 280\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.58 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 21, 2025\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52488549499187,"sku":"9798765112472","price":78.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/GVoK2fNdaQ9798765112472.webp?v=1759881229","url":"https:\/\/www.vysn.com\/en-ca\/products\/fringe-to-famous-cultural-production-in-australia-after-the-creative-industries-paperback","provider":"VYSN","version":"1.0","type":"link"}