{"product_id":"deleuzes-cinema-books-three-introductions-to-the-taxonomy-of-images-paperback","title":"Deleuze's Cinema Books: Three Introductions to the Taxonomy of Images - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDavid Deamer\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDeleuze's two \u003cem\u003eCinema\u003c\/em\u003e books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?\u003c\/p\u003e \u003cp\u003eDavid Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the \u003cem\u003eCinema\u003c\/em\u003e books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.\u003c\/p\u003e \u003cp\u003e\u003cbr\u003e\u003cstrong\u003eKey Features: \u003c\/strong\u003e\u003cbr\u003e- An interpretation of Bergson's \u003cem\u003eMatter and Memory\u003c\/em\u003e through Deleuze's Bergsonism describing the ground of Deleuze's film-philosophy;\u003cbr\u003e- A reading of Peirce's semiosis from \u003cem\u003ePragmatism and Pragmaticism\u003c\/em\u003e explicating the genesis and components of the movement-image;\u003cbr\u003e- An examination of Deleuze's syntheses of time, space and consciousness from \u003cem\u003eDifference and Repetition\u003c\/em\u003e illuminating the genesis and components of the time-image; \u003cbr\u003e- Concise engagements with each of the cinematic signs to assist reading Deleuze's \u003cem\u003eCinema\u003c\/em\u003e books, as well as commentaries and monographs that draw upon them;\u003cbr\u003e- 44 film readings - one for each cinematic sign - to clarify their application.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e'This superb new book provides the most comprehensive and user-friendly introduction to Deleuze's taxonomy of cinematic images to date.' David Martin-Jones, University of Glasgow 'David Deamer's \"Three Introductions\" to these texts provide comprehensive, enlightening pathways into the conceptual background and cinematic specificities of Deleuze's film-philosophy. An impressive achievement.' Robert Sinnerbrink, Macquarie University Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers. Key Features - An interpretation of Bergson's Matter and Memory through Deleuze's Bergsonism, describing the ground of Deleuze's film-philosophy - A reading of Peirce's semiosis from Pragmatism and Pragmaticism, explicating the genesis and components of the movement-image - An examination of Deleuze's syntheses of time, space and consciousness from Difference and Repetition, illuminating the genesis and components of the time-image - Concise engagements with each of the cinematic signs to assist reading Deleuze's Cinema books, as well as commentaries and monographs that draw upon them - Forty-four film readings - one for each cinematic sign - to clarify their application David Deamer is an affiliated scholar with the English, Philosophy and Film departments of Manchester Metropolitan University Cover image: Garry Killian\/Shutterstock.com Cover design: [EUP logo] edinburghuniversitypress.com ISBN (cover): 978-1-4744-0768-7 ISBN (PPC): 978-1-4744-0767-0 Barcode\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDavid Deamer is an affiliated scholar with the English, Philosophy and Film departments of Manchester Metropolitan University\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 400\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.5 x 6.8 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 27, 2016\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52710448038195,"sku":"9781474407687","price":58.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/N3VNd1p0N2p3WVRMeUVZTGJmZTJuQT09.webp?v=1763492535","url":"https:\/\/www.vysn.com\/en-ca\/products\/deleuzes-cinema-books-three-introductions-to-the-taxonomy-of-images-paperback","provider":"VYSN","version":"1.0","type":"link"}