{"product_id":"creating-jazz-counterpoint-new-orleans-barbershop-harmony-and-the-blues-paperback","title":"Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eVic Hobson\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThe book \u003ci\u003eJazzmen\u003c\/i\u003e (1939) claimed New Orleans as the birthplace of jazz and introduced the legend of Buddy Bolden as the \"First Man of Jazz.\" Much of the information that the book relied on came from a highly controversial source: Bunk Johnson. He claimed to have played with Bolden and that together they had pioneered jazz. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eJohnson made many recordings talking about and playing the music of the Bolden era. These recordings have been treated with skepticism because of doubts about Johnson's credibility. Using oral histories, the \u003ci\u003eJazzmen\u003c\/i\u003e interview notes, and unpublished archive material, this book confirms that Bunk Johnson did play with Bolden. This confirmation, in turn, has profound implications for Johnson's recorded legacy in describing the music of the early years of New Orleans jazz. \u003cp\u003e\u003c\/p\u003eNew Orleans jazz was different from ragtime in a number of ways. It was a music that was collectively improvised, and it carried a new tonality--the tonality of the blues. How early jazz musicians improvised together and how the blues became a part of jazz has until now been a mystery. Part of the reason New Orleans jazz developed as it did is that all the prominent jazz pioneers, including Buddy Bolden, Bunk Johnson, Louis Armstrong, Sidney Bechet, Johnny Dodds, and Kid Ory, sang in barbershop (or barroom) quartets. This book describes in both historical and musical terms how the practices of quartet singing were converted to the instruments of a jazz band, and how this, in turn, produced collectively improvised, blues-inflected jazz, that unique sound of New Orleans.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eVic Hobson\u003c\/b\u003e was awarded a Kluge Scholarship to the Library of Congress in 2007 and a Woest Fellowship to the Historic New Orleans Collection in 2009. A trustee for the National Jazz Archive, he is active in promoting jazz scholarship and research, and his own work has appeared in \u003ci\u003eAmerican Music\u003c\/i\u003e, \u003ci\u003eJazz Perspectives\u003c\/i\u003e, and the \u003ci\u003eJazz Archivist\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 180\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.41 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 30, 2015\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":52624793927987,"sku":"9781496807786","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/dW5EbG0vbE1nZVhCVEVUcytjVC9KZz09.webp?v=1762016349","url":"https:\/\/www.vysn.com\/en-ca\/products\/creating-jazz-counterpoint-new-orleans-barbershop-harmony-and-the-blues-paperback","provider":"VYSN","version":"1.0","type":"link"}