{"product_id":"counter-memories-in-iranian-cinema-paperback","title":"Counter-Memories in Iranian Cinema - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMatthias Wittmann\u003c\/b\u003e (Editor), \u003cb\u003eUte Holl\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eFarīd ad-Dīn-e ʿAṭṭār's Persian folk tale \u003ci\u003eThe Conference of the Birds\u003c\/i\u003e relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. \u003ci\u003eCounter-Memories in Iranian Cinema\u003c\/i\u003e establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eFarīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Matthias Wittmann is a researcher on media (especially film), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just finished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. Ute Holl is Professor for Media Aesthetics at the Seminar for Media Studies, University of Basel\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDr Matthias Wittmann is a researcher on media (especially film), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just finished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. \u003c\/p\u003e\u003cp\u003eProfessor Ute Holl is Professor for Media Aesthetics at Basel University\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.57 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 17, 2023\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":54053235228979,"sku":"9781474479769","price":54.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0300\/5595\/6612\/files\/X1dPo-Mgx39781474479769.webp?v=1789017555","url":"https:\/\/www.vysn.com\/en-ca\/products\/counter-memories-in-iranian-cinema-paperback","provider":"VYSN","version":"1.0","type":"link"}